Seeing Eye Dog, HELMET's seventh album, is one of the band's most uncompromising and ambitious releases, embodying the classic and utterly unique Helmet sound and pushing it into regions the band has never before explored. One big reason for that spirit of musical adventure is the record is essentially self-released (through the Work Song label). "I just felt completely free to do whatever I wanted to do," says frontman Page Hamilton. "It was really fun to make this record because I just felt this…freedom."

Freedom can also arise from limitation, something Hamilton knows well--as ever, he insisted on having few overdubs and edits on Seeing Eye Dog. "This album is human and honest," he declares. "People have always commented that we sound like our albums live, and our recording approach has a lot to do with that. Humans playing music will always be better than chop-shop rock."

Besides Hamilton, the humans on Seeing Eye Dog include drummer Kyle Stevenson, who joined Helmet in 2006, guitarist Dan Beeman, who's been on board since 2008, and long-time Helmet bassist Chris Traynor. (Dave Case is the band's touring bassist.) The album was produced by Hamilton, with additional production by Toshi Kasai (Melvins) and vocal production by Mark Renk.

Bands such as the Deftones, Rise Against, Pantera and Tool have all cited Helmet as an influence, and not just for Helmet's blistering, aggro approach but for the band's sheer musicality and brains. See, Helmet, among other things, is a work of art. Hamilton is a trained musician who happens to make heavy, brutal music, a guy who digs Bartok and Minor Threat. Which is why, as Seeing Eye Dog proves, Helmet is a surprisingly flexible concept.

Intronaut is a post-metal band from Los Angeles, California.

They play progressive metal with harsh vocals combined with progressive and jazzy instrumental breaks.[1][2][3] Their sound incorporates traits from sludge metal, jazz and death metal.[4]